Best of Paris Fashion Week

Louis Vuitton SS11

For spring, Marc Jacobs dreamed a Louis Vuitton collection that would be more readily attributed to Galliano or Gaultier, with heavy Asian influence and lots of camp. However, upon closer inspection, Jacobs’ signature refined lines and perfect silhouettes were perfectly visible in the collection.

His goal from the outset was to embody camp, and to express the Orient in a highly stylized fashion. He definitely achieved his goals. From the outset, with the glossy kimono dresses and clothing trimmed with mandarin collars it was clear where he was going. When dresses reminiscent of 1920s flappers took their turn down the runway, it was less clear. So, let’s imagine the scene as taking place at a giant party in Japan in the 1920s – a scene infected with hard liquor, the highest class of geishas, and swing-dancing. This is Gatsby in the Orient. Though there was no such scene back then, indulge the fantasy.

The clothing contained a high level of flounce and histrionics, and Jacobs achieves a pitch-perfect amount of color and prints in this collection. Eschew the season’s favored minimalism and grab a piece of the drama pie over at Louis Vuitton.

Photos: Courtesy of GoRunway

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